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Registered
Join Date: Feb 2009
Location: Adelaide South Australia
Posts: 40,808
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This looks good.
- A period piece from the 80s? Now I'm feeling old. 
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- Peter |
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07-15-2026, 04:59 AM
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Registered
Join Date: May 2006
Posts: 1,063
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On The Great American Family.
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07-18-2026, 08:45 AM
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Registered
Join Date: May 2006
Posts: 1,063
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On the TCM.
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07-20-2026, 12:23 PM
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Registered
Join Date: May 2006
Posts: 1,063
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On the TCM.
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07-21-2026, 09:31 AM
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Registered
Join Date: May 2006
Posts: 1,063
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On the Netflix.
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07-22-2026, 01:16 PM
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Join Date: May 2006
Posts: 1,063
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On the TCM.
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07-23-2026, 08:32 AM
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G'day!
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Vincent D’Onofrio on Stanley Kubrick
In anticipation of Criterion’s upcoming box set THE COMPLETE KUBRICK, Vincent D’Onofrio shares his memories of working with Stanley Kubrick on FULL METAL JACKET, the legendary director’s blistering 1987 film starring D’Onofrio as brutalized Marine Corps recruit Private Pyle.
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Old dog....new tricks..... |
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07-24-2026, 12:14 PM
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I see you
Join Date: Nov 2002
Location: NJ
Posts: 30,840
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Just saw "Pressure" on Peacock. Damn good
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Si non potes inimicum tuum vincere, habeas eum amicum and ride a big blue trike. In memory of Capt. Paul Morgan |
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07-24-2026, 12:18 PM
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G'day!
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Christopher Nolan’s Closet Picks
The filmmaker shares how THE TESTAMENT OF DR. MABUSE influenced THE DARK KNIGHT, talks about the importance of Martin Scorsese’s World Cinema Project, and praises the way David Lynch evokes dream logic on-screen. Christopher’s Picks: THE KILLERS (Don Siegel, 1964) JOHN CASSAVETES: FIVE FILMS FOR ALL MAKIND (Al Reinert, 1989) THE COMPLETE MR. ARKADIN (Orson Welles, 1955) THE TESTAMENT OF DR. MABUSE (Fritz Lang, 1933) THE APU TRILOGY (Satyajit Ray) MARTIN SCORSESE’S WORLD CINEMA PROJECT NO. 3 MALCOLM X (Spike Lee, 1992) LOST HIGHWAY (David Lynch, 1997) THE QATSI TRILOGY (Godfrey Reggio) THE PLAYER (Robert Altman, 1992) BOYHOOD (Richard Linklater, 2014) ONE FALSE MOVE (Carl Franklin, 1992) THE BLACK STALLION (Carroll Ballard, 1979) CITIZEN KANE (Orson Welles, 1941)
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Old dog....new tricks..... |
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07-24-2026, 05:35 PM
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G'day!
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Matt Damon’s Closet Picks
The actor and producer shares what he’s learned from close collaborators like Steven Soderbergh and Gus Van Sant, talks about the impact of YOU CAN COUNT ON ME, and recalls a favorite moment from DOUBLE INDEMNITY. Matt’s Picks: PURPLE NOON (René Clément, 1960) KNIFE IN THE WATER (Roman Polanski, 1962) TRAFFIC (Steven Soderbergh, 2000) YOU CAN COUNT ON ME (Kenneth Lonergan, 2000) DRUGSTORE COWBOY (Gus Van Sant, 1989) MY OWN PRIVATE IDAHO (Gus Van Sant, 1991) ONE FALSE MOVE (Carl Franklin, 1992) NO COUNTRY FOR OLD MEN (Joel and Ethan Coen, 2007) DOUBLE INDEMNITY (Billy Wilder, 1944) SEX, LIES, AND VIDEOTAPE (Steven Soderbergh, 1989) 12 ANGRY MEN (Sidney Lumet, 1957) MAÎTRESSE (Barbet Schroeder, 1976) "Ben and I" never gets old...... 
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Old dog....new tricks..... |
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07-27-2026, 10:55 AM
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Registered
Join Date: May 2006
Posts: 1,063
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On the Netflix.
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07-27-2026, 11:45 AM
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Registered
Join Date: May 2006
Posts: 1,063
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On the TCM.
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Yesterday, 11:41 AM
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1964 Porsche 356 C Sunroof coupe
1972 Porsche 914 2.0 fuel injected
1983 Porsche 911 SC Targa
Work vehicle
