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I'm not the Beatles' biggest fan, but I want to see this doc
Now, I just need to figure out how to watch it without getting Disney. I'm sure I'm not the only one who feels this way.
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I've see the rooftop session and it was fantastic. The rest is new according to the trailer.
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i’ll be signing up again for disney, watching it, and then cancelling it…again. did that for the mandalorian which i soon realiazed i could easily live without
did the same thing with Hulu for that beatles ron howard did |
Yep, I have signed up for a streaming service, watched the series I wanted, then canceled, in less than 30 days.
The only downside is they will have your email address, and send email every so often asking for you to come back. |
for what its worth, neither Hulu or Disney have ever emailed me and its been well over a year - unless it went to my spam folder and i didnt see it
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10 day free trial, cancel?
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Not a Beatles fan either by any stretch. I'm more of an English 70's Classic Rock fan. The Beatles pretty much didn't exist in the 70's.
But... this bit of film was absolutely fascinating. The history, the quality. They could release the whole 50+ hours and I'd watch it. It's pretty interesting to see songs you've heard your whole life conjured out of thin air then produced in to their final form. Also interesting how young these guys were at the time. They all seemed to be getting along just fine also. (George had a bug up his ass) Odd they were broken up for good not long after. Oh, and Yoko. Couldn't just give her a credit card and send her shopping I guess. No sign of Phil Spector, unless i just missed him. |
Based on the first 6 hours I've watched so far they could easily have left 20-30% on the cutting room floor and had just as good if not a better product.
It gets a bit tedious in spots. It is fascinating how stuff just flowed from Paul and John (when he was in the mood) and it's clear that despite their individual brilliance they were better together than separate. Paul is great at schmaltz and it's John's cynicism that provides the balance. |
im a massive fan. I have been waiting a long time for this film.
I must admit, I am struggling with it for a lot of reasons I only finished the first episode and I am not even sure ill finish the rest of it which is odd since i have been watching the Anthology dvd box set on a monthly basis for 20 years now I guess ill keep my negative thoughts to myself until I can finish this, if ever |
It's definitely a little slow, but I'm enjoying seeing their song writing process.
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Glad I'm not the only one who thought this was too long and tedious.
If it was cut down 2 or so hours it would have been a lot better. I loved seeing the creative process but along with that was a ton of filler that had nothing to do with the "Beatles" and was just watching random moments in people's lives no one care about if it was one of the four. Always annoying when a 2.5-3 star documentary had all the components of a 4 star but missed the dunk. |
Kinda long --unless one is a complete Beatle Fan.
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It starts out slow and it seems tedious, but then you can see the development of the relationships and the music. At first, they are really struggling. Lots of tension. Nothing is working. The project gets a very obvious shot in the arm when Billy Preston shows up. Relationships start to heal. At times, they are light silly children singing nonsense lyrics but in reality they are in fact honing the material. It all comes together on a rooftop where they are clearly having fun.
At one point, McCartney is waiting for others to show up, playing chords on his bass, sort of in a trance, just putting his brain on standby and letting the music sort of write itself. In fairly short order, he had written Get Back. At another point, John and others are looking at drawings of a concert that will never happen and ignoring Paul as he sits at the piano and writes one of pop music's most iconic anthems, Let It Be. Then…here is Ringo and others reading newspapers and ignoring Paul as he sits at the piano and writes The Long And Winding Road. I have aways been a HUGE Beatle fan. Always will be. Some folks don't care for their music, and I think personal preferences are just that....personal. Nothing wrong with that. But apparently they are sometimes a little out of step with overwhelming popular opinion. When someone asks what is the greatest band of all time, the question just assumes we are asking which band besides the Beatles. There is no question what was the greatest popular music band. Anyone doubting...would just need to look at the numbers. Do the math. One more thing: The Beatles released at least 16 albums in North America over a period of a bit more than seven years. About 90 months. While touring and then raising families and dealing with a degree of popularity that was schedule-crushing, they pumped out a new album chock full of top ten songs every 5.6 months, on average. Five of them in 1964 alone. This means that in the category of Songwriting Horsepower, they win by a mile in all three categories: Quality, Quantity and Velocity. |
Didn’t realize it was out yet. The band/music of my youth. Will watch ASAP! Probably twice.
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It is an interesting window into that moment in Beatles music-making. Be prepared for a slow, messy, disjointed, clumbsy start, improving gradually in fits and starts until they stand on the rooftop having fun as the band we know they were.
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As a counter point, every review and on-line comment I've seen about this film was overwhelmingly positive. Everyone thought it was absolutely brilliant. Maybe the rest of it moves along at a better pace...we'll see. Quote:
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And George was a much stronger personality and influence than I realized. Three truly amazing talents. And Ringo. Never got that one. A mediocre drummer at best with minimal contribution to the magic...at least in this project. Looking forward to the next segment. |
The two of you have seen the most tedious, boring and dysfunctional part. To see the part where the songs and relationships and skill and talent finally gel and succeed, you need to watch the next two segments. Bill Preston, appearing in Segment 2, is key.
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Ringo was, interestingly enough, the first to tire of the bickering and the first to actually walk out of the Beatles (some say more than once). There was some sort of chemistry between Paul and Ringo. IMO, I think it had to do with making money. Artistically, Paul wanted the songs to be as simple as possible, hence Ringo’s drumming and percussion. I can see Ringo saying, ‘Yeah, OK boss.’ To any of the other three. I have not seen the film, yet. |
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Mediocre drummers can't play "Day in The Life".
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All that aside, Ringo was considered to be one of the better drummers in the Liverpool music scene while playing with Rory Storm & the Hurricanes, who usually had top billing in all the local clubs. It was thought to be a good move for the Beatles when he replaced Pete Best, whom Brian Epstein didn't think was good enough to record with the band. |
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Given that he wasn't the most creative of the bunch, Ringo did what Paul and John wanted and needed him to do. Solid and predictable percussion. |
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There is video out there of a non-plussed Paul demonstrating to Ringo on Ringo’s kit exactly what and how he wanted him to play.
He says, ‘Do it like this...’ or something similar. Also, and I can’t think of the song, Ringo is rolling around the drums from the large tom to the small tom to the snare, pretty much the opposite of current convention in pop music. He was roundly exalted as an innovative hero for that little ditty. In an interview years later he just laughed. ‘The only reason I did it was because I couldn’t go the other way around.’ During the recording of Hey Jude (which I think was done in one take-not sure) Ringo is absent allegedly having a smoke somewhere* and returned to sound studio, squeezed his way behind Paul who was on the piano well into the song, sat at his kit, hit his cue and joined in perfectly. *Some say he was actually taking a dump because The Boys routinely smoked during recording sessions. |
Among musician, and for reasons I only barely understand, the "fast gun" is highly regarded. As if the contest is for the most notes per second. Speed being the goal.
Others, like myself, admire other things more than speed. Like taste. Creativity/imagination. Clever use of music theory and the relationships of notes in the scale. And, for drummers.....METER. Ringo was a human metronome. His degree of timing accuracy could be characterized as "perfection." And finally, in all musicians and especially drummers, I appreciate judiciousness. It is important for my fellow musicians (and I) to leave empty spaces for others to work within. Especially drummers. Drummers can, and sometimes do, create this wall-of-sound miasma that can virtually prevent all the other instruments from being heard or at least from being effective in contributing to the song. Makes the song sound like poop. So yeah....some folks say Ringo was not a very good drummer. He was judicious, not overpowering. Same with Paul, who some bassists consider to be mediocre. They want others to think they can do oh so much better on bass than Paul did. Criticizing a man who was arguably the most effective musician of the Twentieth Century, in order to score points. Hmmmm..... This tells me they have not actually learned Paul's bass lines, which by and large were brilliant. |
Ringo?
I am a musician and I would kill to have him in my band. He has his own style and he is very talented. Is he Max Roach? no. He is a rock and roll drummer that new, just like Charlie Watts did, how to play the right thing for the song and he did so with a style all his own, again like Charlie. Some of this comes from being left handed but using a kit set up for a right handed drummer |
Even if "fast gun" is the measure, consider this bass line which of course Paul plays while singing lead. Any bass player who can do this is skilled, in my view:
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Fast gun? as a musician (guitar) I place little value on that unless we are talking about Doc Watson or Tony Rice or Norman Blake along with a lot of the nashville country pickers or Johnny Ramone because his intention was to be fast
But, some people just enjoy flashy, fast technical musicians and thats fine too to me, execution of ideas and emotion (feel) is generally more important to me than speed |
We are in complete agreement.
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there's a few places in paper back writer where paul comes up with a really cool riff, especially for those times. good stuff. always thought his bass skills were top notch
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Same with drummers. Neil Peart had talent in spades but there are some that i think are under rated like Sean Kinney that have a lot going on in the drums, but they don't overpower the song. Or Ringo, just because it sounds simple doesn't mean you aren't good. Ringo does appear to be able to just fit in when he hears the music. |
Ringo was bemused by the whole thing, especially the later years.
At the height of Beatlemania, a star-struck british infobabe with a microphone asked Ringo if he was a Mod or a Rocker. Without missing a beat, per usual, he said, 'I'm a mocker', completely confusing the poor girl. |
I'm about half-way through it. My takeaways so far:
1. Lennon has a great sense of humor and comes across as very likeable. 2. Everyone is smoking all the time. 3. The video quality is excellent for something shot in '69. 4. Lennon repeatedly saying "And now your hosts for this evening, the Rolling Stones," at all sorts of random times reminds me or "These pretzels are making me thirsty." 5. At times I forget that they are the Beatles - one of the most important bands in pop culture at the time - and not some random group working their way through a recording session. |
I heard Paul is putting together some kind of autobigraphical opera using only the Beatles catalogue. I heard he's having trouble getting permission from whomever owns some of it.
Michael Jackson outbid him for a big chunk of it a few years back. I don't know if he (Paul) ever got it back. It went for $40M which was allotta money back then. |
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Watched the end of it last night. Many details surprised me. I had been under the impression that the bobbies (cops) shut them down but that was not the case. All four ultimately stood on the roof and listened.
Lennon was more of a light-hearted guy than I’d imagined. Managed to have a good time all the time. Or his writing genius was downplayed in the film…at least as compared to Paul. I’m guessing there was much serious work on his part, but it wasn’t evident. Not sure how much of what we saw was posturing for the cameras or real insight into their collaboration. Don’t let me down…has been stuck in my head ever since. Really enjoyed seeing that part of Beatles history. I had no idea that the entire process was filmed. |
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