Originally Posted by DARISC
(Post 5509827)
I agree with you 100%.
On a recent thread on this topic I got involved in a pm session with several other posters who wanted to discuss just what "art"really is. It was impossible to do that on the thread without an incessant barrage of "That POS ain't art!", "Artists are worthless, lazy sleazebags", etc., so we had an enjoyable discussion privately.
In one of my PMs I wrote this about that, in an attempt at a generally accepted categorization within which it might be easier to discuss the question, "what is ART?":
Graphic/commercial art - conveying info that promotes a product, event, etc.
Crafts - ceramics, weaving, glass blowing, etc. Objects made primarily to serve a purpose or function.
Decoration - eye candy.
Design - applicable to all the above and judged by how effectively/elegantly/aesthetically it is embodied in the product.
The area of crafts is problematic for some who might say, "That's a tapestry to hang on the wall to look at, it has no other function, it is art". Yes, but its essence is that of craft; it's a weaving. The artist/craftsman (as opposed to the basic craftsman, whose basic focus is on his craft as utilitarian) chooses to be constrained by the medium of his choice and when judging his work the aesthetic/artistic aspects of the work are penultimate to the quality of the craft.
A fine artist may in fact be a lousy craftsman and the choice of medium is dictated by the statement he wants to make. I've never heard or read reference to the quality of the "craft" in Van Gogh's paintings for example. Truth is, he was driven by images which he attempted to put on canvas as quickly as he could, even at one point when he was institutionalized, rapidly making a painting then immediately scraping off the paint and making another and another. His focus was on his visions, not so much with the craft involved in realizing them.
Fine art, whatever the medium - serves no purpose or function other than to make whatever statement the artist wishes to make. It, by definition, has no utilitarian value. And, it is cutting edge, pushing the envelope, avant garde, however one wants to describe it. Most often it is not possible to judge its historical importance immediately. Some is not, as is generally realized, able to be judged until varying amounts of time has passed, after which great/historically significant art can be recognized in the greater context that only accumulates over time.
What most people stumble over is the differentiation between the avant garde and the academic. They tend not to recognize that "creativity" is not the ability to paint like Rembrandt, Renoir, Picasso or Pollock - that ability is a craft. The creative work was done by Pollock - to repeat what he did is craft and one who may be able to do it well is an "artist" craftsman, an academician, because that which has been done, become recognized as creative and important is thereafter academic - creative art moves on.
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