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There is no twitch in what I write, it is all very clean in content, I can slice the bacon in razor thin slices. It has the ringing clarity of the hammer on the anvil, tempered by the heat of the forge. Sometimes the execution maybe a little quirky but that has to do with the stream of consciousness coming up from the subconscious. I sometimes think that I use archaic forms of language? Also I am trying to grasp a fleeting sentiment and articulate it as clearly as I can before it disappears into the ether.

In my set pieces I would start with an idea to articulate and it usually goes from there, one line at a time, winding up someplace that I never envisioned. It is like creating and working through an equation as you go..to come to a conclusion or answer at the end.

I think that what I do is rather unique as there is virtually no differentiation between the subconscious and the conscious as it is a melding of the the two in a free flow of information and calculation It is that inner voice of the ages that is speaking. It is something greater than I that is speaking, something from the subconscious which is the repository of the collective memory. That voice is what has the ringing clarity of the hammer on the anvil. Being able to express those sentiments clearly is the result of having unraveled my internal ball of string.

You could say that inner voice is the voice of the integrated self. Virtually without any perceptional bias, with the cavets being ones personal likes and dislikes in living (the example being do you like peanut butter with sardines or don't you?).

Everything is clear cut and delineated. Switch on switch off.