I don't understand poetry

[pcardude]

I picked up a poetry book at a used book store recently and I've been reading a poem everyday. I'm about to throw the book in the trash. I don't get it. I just don't. I'm really trying to understand the significance but it all just sounds meaningless and alien to me.


Am I doing it wrong?

An Apparatus
By Keith Waldrop


From where I sit, I can see other
things: a silver porcupine, pins
standing upright. It is a vanished tale of a
vanished forest at the shore of a vanished ocean.

I call the dead as often as I can. In the
vaults, among mummies—this is pure
memorial. I am the girl in whose
eyes the name is written.

I feel as if veiled, as if soon I
shall get to know something. These are people
with encephalitis who cannot go
forward, but can go backward, and can dance.

In this rough draft of my memoirs, my brother
comes toward me—frightened, skeletal—longing
for marvels. I cannot describe it better than by
comparing it to other figures, intoxication.

Mere reflexes, as for instance breathing, can become
conscious. One of two rivals has his
ornamental tail bit off. In dying sounds, barely
reaching our ears, a melody continues.

No end to it—an infinite progression. All this
love of a bygone age. Watch the track
of a concentrated sunbeam through our lake ice:
part of the beam is stopped, part goes through.

Now the upper surface buckles, phantasmagoria of
unchained passion—under which the land
quakes, the ocean swells, and a myriad-years-
old forest snaps and cracks.

Surpassing all forms of experience, the wide, deep,
freshwater lake—on which the city
is built—rises before us. Here a modern idea
interposes, a new body made from the elements.

Then everything is forgotten. Sometimes thoughts
are cut off and sometimes they are the
blade which cuts. At the present gravel pit, electric
lights in the evening cast their magic blue sheen.

There’s the sun, a crack above those
hills, breaking the day. If the door open, who
comes in? If it close, what will interrupt
my train?

The staircase effect supplies strong evidence
for a subjective map. Downhill, the sun
trickles, unperturbed. Here trots a mammoth with
red wool, through the black yew forest.

The tendency of elements to linger on: You say
I dream of what I want, but what I
want now is to dream. The cold rind
broken, the same wind blows.

Through a lens of ice, the dark
heat of the sun burns wood, fires gunpowder, melts
lead. Perhaps a cloud of musk rises, such as
issues from a crocodile in passion.

Unless light falls properly upon these
flowers, you cannot see them. All associations at
this level rain down from above. We
talk of word-pictures.

We observe vertigo. We reach the cleft
by a steep gully or couloir—very dangerous, the
path from the heights, the glory of
the prospect, the insight gained.

What I mean is a disturbance in
all the senses at once. You will not find
the flower confused. Facing a certain
wind, there is always danger.

[Jrboulder]

Yeah, I'd throw that book away.

[aigel]

Maybe you should read some classics. My eyes glazed over in verse 3 on that one you posted.

I can't say I read poetry. But I did appreciate it in college and remember a few cool ones. This one for example ...

G


The Raven
By Edgar Allan Poe


Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore’.”

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!

[cstreit]

Perhaps you should try
Some Haiku Poems for size
they're less pretentious.

[DanielDudley]

You know what gives poems a bad name ?

Poets.

Gunga Din a poem by Rudyard Kipling




You may talk o' gin and beer
When you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But when it comes to slaughter
You will do your work on water,
An' you'll lick the bloomin' boots of 'im that's got it.
Now in Injia's sunny clime,
Where I used to spend my time
A-servin' of 'Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
He was "Din! Din! Din!
You limpin' lump o' brick-dust, Gunga Din!
Hi! slippery hitherao!
Water, get it! Panee lao!
You squidgy-nosed old idol, Gunga Din."

The uniform 'e wore
Was nothin' much before,
An' rather less than 'arf o' that be'ind,
For a piece o' twisty rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.
When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted "Harry By!"
Till our throats were bricky-dry,
Then we wopped 'im 'cause 'e couldn't serve us all.
It was "Din! Din! Din!
You 'eathen, where the mischief 'ave you been?
You put some juldee in it
Or I'll marrow you this minute
If you don't fill up my helmet, Gunga Din!"

'E would dot an' carry one
Till the longest day was done;
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,
'E'd be waitin' fifty paces right flank rear.
With 'is mussick on 'is back,
'E would skip with our attack,
An' watch us till the bugles made "Retire",
An' for all 'is dirty 'ide
'E was white, clear white, inside
When 'e went to tend the wounded under fire!
It was "Din! Din! Din!"
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,
You could hear the front-files shout,
"Hi! ammunition-mules an' Gunga Din!"

I shan't forgit the night
When I dropped be'ind the fight
With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' he plugged me where I bled,
An' 'e guv me 'arf-a-pint o' water-green:
It was crawlin' and it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
It was "Din! Din! Din!
'Ere's a beggar with a bullet through 'is spleen;
'E's chawin' up the ground,
An' 'e's kickin' all around:
For Gawd's sake git the water, Gunga Din!"

'E carried me away
To where a dooli lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,
An' just before 'e died,
"I 'ope you liked your drink", sez Gunga Din.
So I'll meet 'im later on
At the place where 'e is gone --
Where it's always double drill and no canteen;
'E'll be squattin' on the coals
Givin' drink to poor damned souls,
An' I'll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I've belted you and flayed you,
By the livin' Gawd that made you,
You're a better man than I am, Gunga Din!

[JCF]

Walt Whitman
Yeats
Frost
Emily Dickinson

Those four obvious choices will set you straight

[JCF]

[recycled sixtie]

Dude you are reading the wrong kind of poetry. You need something lighter or different. As mentioned Robert Frost is terrific. There are many other good ones. Poetry is like wine. Check out the different ones. Poems are like mini stories.

[widebody911]

There once was a man from Nantucket...

[widebody911]

Mary had a little lamb
Her father shot it dead.
Now it goes to school with her,
Between two hunks of bread

[Porsche-O-Phile]

Is that Vogon?

[sand_man]

This one has a song that goes with it :

"Time"

Ticking away the moments that make up a dull day
Fritter and waste the hours in an off-hand way
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way

Tired of lying in the sunshine staying home to watch the rain
You are young and life is long and there is time to kill today
And then one day you find ten years have got behind you
No one told you when to run, you missed the starting gun

And you run and you run to catch up with the sun but it's sinking
Racing around to come up behind you again
The sun is the same in a relative way, but you're older
Shorter of breath and one day closer to death

Every year is getting shorter, never seem to find the time
Plans that either come to naught or half a page of scribbled lines
Hanging on in quiet desperation is the English way
The time is gone, the song is over, thought I'd something more to say

Home, home again
I like to be here when I can
When I come home cold and tired
It's good to warm my bones beside the fire
Far away, across the field
The tolling of the iron bell
Calls the faithful to their knees
To hear the softly spoken magic spell

[Norm K]

I hope the poetry gods are of the forgiving type `cause here's my take. Pen all the beautiful words you wish, string them together so beautifully as to make the angels of Heaven sing, then, if it doesn't rhyme, call it something else.


_

[Eric 951]

Poetry is definitely subjective--the poem you posted--ugh not my taste--try Stephen Crane--the guy who wrote "Red Badge of Courage"--I really like his poems, short and poignant.

In the desert

I saw a creature, naked, bestial,

Who, squatting upon the ground,

Held his heart in his hands,

And ate of it.

I said, “Is it good, friend?”

“It is bitter—bitter,” he answered;


“But I like it

“Because it is bitter,

“And because it is my heart.”

[widebody911]

Originally Posted by Porsche-O-Phile

Is that Vogon?

Oh freddled gruntbuggly,
Thy micturations are to me,
As plurdled gabbleblotchits,
On a lurgid bee,
That mordiously hath blurted out,
Its earted jurtles,
Into a rancid festering confectious organ squealer. [drowned out by moaning and screaming]
Now the jurpling slayjid agrocrustles,
Are slurping hagrilly up the axlegrurts,
And living glupules frart and slipulate,
Like jowling meated liverslime,
Groop, I implore thee, my foonting turling dromes,
And hooptiously drangle me,
With crinkly bindlewurdles,
Or else I shall rend thee in the gobberwarts with my blurglecruncheon,
See if I don't.

[flatbutt]

A lot of poetry these days is merely prose. A proper poem has rhyme and meter and is a pleasure to read.

[asphaltgambler]

Maybe it's not what you're reading, it's where you're reading it. Should be in a dark and smoke filled coffee house, surrounded by Beatniks, one of which is playing the Bongo's softly in the back-ground.....

[Amail]

I met a traveller from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
'My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away."
Ozymandias - Shelley

[Esel Mann]

Originally Posted by widebody911

There once was a man from Nantucket...

I'll see you man from Nantucket, and raise you an 'Old mother hubbard when to the cupboard...'

[craigster59]

Stopping by Woods on a Snowy Evening
By Robert Frost
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.